Built in After Effects, the overlays are driven by grunge and alpha mattes that subtly break up and reveal the animations. This creates a more organic, imperfect feel — avoiding the overly clean, digital look typical for many motion graphics. Instead of sitting on top of the footage, the elements feel integrated into it, helping guide the viewer through different moments of the day while maintaining a cohesive visual tone. The focus was on controlled imperfection, timing and repeatability — creating overlays that can be reused across episodes while still feeling alive.