Project: Monolith
Intro
This piece started as a simple experiment with AI tools — and turned into something way more controlled.All visuals were generated using Midjourney and Kling AI, then taken into Adobe After Effects for compositing and final polish.The goal wasn’t just to generate cool images — but to push them into a more cinematic, finished space.
AI gave me a lot of raw material — some of it good, some of it completely broken. From there it became about picking the shots that actually work, fixing inconsistencies, building a rhythm through editing, and adding motion design where it makes sense. The goal was to turn something unpredictable into something that feels intentional and cohesive. On this project, I handled everything from AI image and sequence generation to shot selection and overall art direction, followed by compositing, shot finishing, and the integration of motion graphics — using tools like Midjourney, Kling AI, and Adobe After Effects.
Project: Monolith
Intro
This piece started as a simple experiment with AI tools — and turned into something way more controlled.All visuals were generated using Midjourney and Kling AI, then taken into Adobe After Effects for compositing and final polish.The goal wasn’t just to generate cool images — but to push them into a more cinematic, finished space.
AI gave me a lot of raw material — some of it good, some of it completely broken. From there it became about picking the shots that actually work, fixing inconsistencies, building a rhythm through editing, and adding motion design where it makes sense. The goal was to turn something unpredictable into something that feels intentional and cohesive. On this project, I handled everything from AI image and sequence generation to shot selection and overall art direction, followed by compositing, shot finishing, and the integration of motion graphics — using tools like Midjourney, Kling AI, and Adobe After Effects.
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